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I really enjoyed the theatrical nick, and now, come by ready for all the nice storylines that were deleted. What you’ll glimpse on the director’s lop (referenced from AICN) SPOILERS AHEAD!!:

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- did you realize that the priest at the beginning is actually the half-brother of Balian (Orlando Bloom)? Their relationship is remarkable more complicated and terrible in this version, and we learn that Balian is in jail following his wife’s death, thanks to his brother’s claim that he is possessed by the devil.

- We also learn that Balian was an engineer before he became a blacksmith, that he built war machines when he was fragment of an army, and he’s released from prison because the local lord needs Balian’s succor. So grand more work is effect into the establishment of Balian’s character that by the time we actually meet him in the film now, we have a sense of who he is.

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- The lord that Balian works for? Turns out, he’s Neeson’s brother, and when Godfrey shows up in the village, he’s coming home. There’s an entire scene that takes position at the castle where it’s positive that his absence made it possible for his brother to steal over, something that his brother doesn’t want to eye change. Since Godfrey has no heir, if he dies, then his fresh lands also become the property of the brother, something that makes more sense of the battle scenes exciting Neeson and his group of soldiers.

- When Neeson goes to talk to Balian the first time, he stops at the door to the smith’s shop, looking out at a particular set. He flashes assist to when he was younger, to when he was with Balian’s mother, and that one moment says all we need to know about the particular paradise that Godfrey seeks and that he knows he’ll never glean again. It explains so mighty about why he would want to reach and manufacture amends and approach out to Balian. He’s looking for absolution, and he figures he can catch it this plot, and the film shows us instead of unbiased telling us.

- Baldwin IV is shown refusing the last sacrament from Patriarch Heraclius.

- Another major change is the re-insertion of the character of Baldwin V (who was shown in some of the trailers), here depicted as the son of Sibylla by Guy. He is portrayed as suffering from leprosy, like his uncle. His death is depicted as an act of euthanasia by his mother, using poison.

- Balian also fights a climactic duel with Guy.

- Additionally, Eva Green’s role as the Queen has been expanded, and she’s not there impartial for Orland Bloom’s sexual interest.

- More insight into absolution, forgiveness, and politics in this time period.

(Please note: This is for the 4 disc director’s cut–for some reason this is combined with ALL versions of the movie including the Blu-ray. The Blu-ray features ONLY the first two discs of this spot on one Blu-ray disc. None of the discs with extras are included as section of the package) .

Sometimes longer is better particularly when you have a complex sage. The theatrical version of “Kingdom of Heaven” was flawed from the beginning with primary account gaps that undermine the character development and the still momentum of the fable. That’s because Fox had Scott gash the film by nearly an hour deleted primary and significant character development at the expense of trying to fit in more showings per theater. The result was a sprawling ambitious project that had the myth scope of “Lawrence of Arabia” without the record strength. Thank God for DVD. “Kingdom of Heaven: The Director’s Chop” restores the material demonstrating that the new 3 hour slice was a gleaming film that played theatrical slow last year after the film had bombed at the box office. The reason the film bombed was the idiotic decision to reduce the film and originate it shorter reducing the film’s impact. While it might not have made a gigantic amount of money it would have done well at the box office as a prestige film AND would have deservedly been nominated for Oscars. Mighty of the background legend is fleshed out and the relationships between the various characters are more clearly defined. “Kingdom of Heaven” is a comely yarn film that recalls the power of David Lean’s epics and allows Scott’s historical drama to breath. If you’ve seen the theatrical cleave you owe it to yourself to sight this major film from a major talent.

The film is presented like the “Lord of the Rings” deluxe sets with the film spread over two discs. Featuring a glorious anamorphic transfer this version of the film actually looks top-notch with less issues with digital artifacts when compared to the previous edition of the film. The 5.1 audio presentation sounds unbelievable with both a 5.1 and 5.1DTS track that makes exceptional exhaust of the format. You’ll feel like you’ve set plopped down into the middle of the battle sequences in the action sequences and there’s fantastic ambient sound effects sprinkled throughout the film even during sequences that are dialogue driven.

Special features are terrific in this status. We inaugurate off with an introduction by Scott discussing the “Director’s Reduce” compared to the theatrical version of the film. Featuring Scott, writer William Monahan and actor Orlando Bloom the first commentary track (it was recorded separately and pieced together) becomes a rich resource of trivia beginning with the origin of the project and how Scott and Monahan ended up working together. The second commentary track has visual effects director Wes Sewell, assistant director Adam Somner and producer Lisa Elizey discussing the technical aspects of the shoot and the challenges they faced covering everything from the consume of digital and on region effects to second unit photography. The last commentary has editor Dody Dorn discussing the two different versions of the film. We also have production notes and information about the shooting of the film provided as text commentary.

The third and fourth discs have most of the supplements. Unfortunately neither has the superb A&E documentary that was fragment of the two disc residence so you may want to believe on to your other site if you haven’t sold it already. We have “The Path to Redemption” presented in six separate parts with each running anywhere from a half hour to twenty minutes a section covering the making of the film. The first of the three parts include text, images, early screenplay drafts and notes on the shooting of the movie. The second portion has cast rehearsals covering everything from the training with the weapons to costume tests. The third of the three parts has storyboards as well as a short documentary featuring scholars discussing the accuracy of the film.

The fourth disc features the last three parts on the film and includes video shot on station, storyboard galleries and photo galleries as well as deleted/extended/alternate scenes with optional commentary by Scott and editor Dorn. There’s also a part on the visual effects of the film as well as various sound elements to form the modern sound mix of the film presented in various stages. The last piece features trailers, TV spots, the Showest presentation. There’s also footage from various premieres around the world, poster galleries, footage of the press junket shot on video, image and poster galleries as well as a brief featurette similar to the one done for “Gladiator: The Extended Version” that discussed the creation of this special edition.

An exceptional film that was badly butchered by Fox prior to its premiere due to alarmed leadership at Fox, the film has finally been presented the map it should have been in the first dwelling. Fox DVD has done an exceptional job in putting together this package and has made amends for the design it handled the film when it was released theatrical last year. Highly recommended.

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