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From the very beginning, Kung Fu Panda had me practically falling out of my seat — laughing. It was the perfect blend of comedy, heart, and action, all notable elements in a successful and substantial animation/CGI film, in the tradition of The Incredibles and (less action, but containing the heart and laughter) Ratatouille, Finding Nemo and Monsters, Inc.

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I was laughing, smiling, and guffawing at Po, the main protagonist (voiced by Jack Dim) and his misadventures at becoming a Kung Fu expert. This was certainly a flawed character, one that a lot of people can portray to because he dreams, he’s laughable, and he can laugh at himself. Also, the fable was lovely distinct and easy to follow because the storytelling was well crafted, and the animation was paired well with characters brought vividly to life by some of the most renowned names in Hollywood.

Jack Sad and Dustin Hoffman are downright safe as the main characters, and Ian McShane as the abominable dude gave it the honest unnerved presence. Other grand name stars don’t shine as grand, but that’s because their roles are rather miniature in the film. But that’s unexcited okay because the animators should be given equal credit (if not more) for delivering the laughable, action and heart elements of this movie in an effective, astounding and (I’ve got to employ this) AWESOME manner. Visually, this movie is fair (stare all those scenic shots of the Chinese mountains, bodies of water, and the bridge scene; not to mention the action animation version of “The Matrix” with slow-mo) … simply a delight to look.

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It’s obvious that Dreamworks has gotten encourage in the animation game with Kung Fu Panda, after itsy-bitsy ho-hums in Shrek 3 and Bee Movie (call me crazy, but I liked Over The Hedge more than those two) . Hopefully, it should catch well over $500M worldwide because it is so righteous.

This movie rightfully belongs in the top animation movies of all time (okay, let’s not include the classic fairy tales of old; let’s commence with the 90’s onwards), alongside my faves “The Incredibles” “Finding Nemo” and “Beauty & The Beast.” Has the makings of being a classic.

Enjoy!

With deep foreboding, I walked into this movie braced for second rate animation (at least compared to Pixar), endless fights between cartoons (as in the CGI “Clone Wars”), and a cultural sensitivity that was either painfully preachy (like “Mulan”) or outright insulting (like “Aladdin”) .

At first, my fear seemed confirmed. Unpleasant Dustin Hoffman mangles Chinese names without mercy – so great so that James Hong, Lucy Liu and Jackie Chan have to deliberately mispronounce stuff impartial to match what he says.

But once the movie got rolling, I found myself grinning from ear to ear in sheer delight. Yes, it’s accurate, Dreamworks can’t compete with Pixar’s technology, but they manufacture up for it with magnificent graphic earn, sheer wit and – of course – those hilariously quivering “Scrat Eyes”. What’s more, the animators somehow manage to obtain Kung Fu battles between cartoons both curious and delectable – every bit the match of live action fights (which nowadays are nothing more than CGI with faces pasted on) .

However, the most much thing about this film is how faithful it is to Chinese culture – family dynamics, Buddhist philosophy, values, and even martial arts – this film simply HAS to have been written by Chinese. There is never a moment where it strains to “rep points” with political correctness. Its characters are never tediously gracious “anti-stereotypes”, but are instead lovingly depicted with all their flaws intact while uniquely Chinese messages are delicately hidden within a spot crammed with excitement and laughter. Here you experience how parental care for turns into suffocating pressure, here you watch teenage rebellion as a monstrosity rather than a virtue, here you gawk the quirky characters of a city (complete with that wobbly “shuffle foot” flow), here you hear the wisdom of Zen detachment, and here you experience the sacred relationship between student and teacher.

Perhaps my plan is biased by the surprise this movie gave to my coarse expectations, but I can’t benefit but ogle this film as an unappreciated but precious gem. Now if only someone could do the same thing with Islamic culture…!
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